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Unlike Jobs, the film is not poorly made. However, it's at best just a series of snapshots generally based on a man that didn't code, didn't design, and wasn't an engineer, but is remembered as a visionary that "redefined the digital age. " Here's what Jobs looked like at each product launch in the film, and in real life. 1984: The Macintosh The film Universal Seth Rogen (left) as Apple co-founder, Steve Wozniak, and Michael Fassbender (right) as Jobs. Real life AP Photo/Paul Sakuma Life imitating art. The film pretty much gets this one spot on. In the early '80s, Steve Jobs—bowtie and double-breasted suit and all—dressed more like Bill Nye the Science Guy than the minimalist icon we remember. 1988: The NeXTcube The film Universal Jeff Daniels (left) as former Apple CEO John Sculley. Real life AP Photo/Paul Sakuma FYI: That's not Sculley behind Jobs, but David Norman, former president of computer retailer Businessland. The film deviates a bit from reality here. Fassbender's Jobs is skinnier, slicker, and dressed more in the archetypal mid-80s businessman style than Jobs really was when he launched the NeXTcube.
Michael fassbender steve jobs interview with bill graham
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Michael fassbender steve jobs interview with bill de blasio
Meanwhile, working with Fassbender was a revelation and Küchler relished each and every close-up: "After 10 hours, he was like a computer that had to shut down and by the time Friday came, he was completely drained. I think it was just the sheer level of concentration he needed to deliver, and he's very demanding of himself. He said he never had to do a film with such a focus on lines. He's edgy, he likes to be spontaneous, he likes to try a different way. But because the lines are so big and the structure was so binding, he had to find a way of working with this. So he didn't want to obey the marks. " Fittingly, each section goes from darkness to light and ultimately the movie achieves a very humanizing portrait. "In 'Sunshine, ' which is about the sun dying, the lighting is very crucial to the story. But this is a movie where you use the cinematography to heighten the actors, " Küchler concluded. "Jobs is the sun and everyone else revolves around him. " Sign Up: Stay on top of the latest breaking film and TV news!
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Michael fassbender steve jobs interview with bill
Perla-Haney Jardine, Ripley Sobo and Makenzie Moss play Lisa at different ages. Interestingly, Joni Mitchell's "Both Sides Now, " with its three-part structure for clouds, love and life, becomes the film's central metaphor. Working in 16mm was liberating for Küchler because it was so rough and light and retro cool. Not surprisingly, he used period practical lights but also made it look harsher for greater contrast. The second section shot on 35mm film is more polished but darker, in keeping with Jobs plotting his revenge against Apple (the cinematographer likens it to "The Godfather Part II" and "Citizen Kane"). And the digital gloss of the final section conveys eventual success and how Jobs learns to comfortably live within his own skin. "We didn't want Michael Fassbender to end up in darkness [all the time] so we had to be clever about choices and work out the logistics of where he would be and how you could help that, giving the actor the best means to perform, " Küchler continued. However, for "the worst sacking in corporate history, " he utilized darkness, heavy rain and wide angle lenses to emphasize the humiliation and lack of control for the ultimate control freak.
There are also still major parts of the story that are missing in the film. This is a man obsessed with technology, who shunned modern medicine that likely would have saved his life. That seems a story worth telling. The rivalry with Microsoft and Bill Gates is largely absent from the movie as well, even though it played a significant role in the rise, fall and rebirth of Apple. In the end, though, Steve Jobs is in a different league when stacked up against the previous two attempts that try to tell the story of the tech visionary. Fassbender delivers an Oscar-like performance and Sorkin's writing is fantastic. Those that are familiar with Jobs' life will appreciate how the film is put together, and even non-techies will enjoy this movie.
Michael fassbender steve jobs interview with bill barr
They shot in the real San Francisco locations during graveyard shifts, which cost more but provided authenticity (Boyle actually flipped the last two venues, the Opera and Symphony Hall, because it worked better psychologically). And they shot in sequence to allow the actors to attack Sorkin's dialogue ( Michael Fassbender is spellbinding as Jobs). But to avoid interrupting the flow of the visual language, flashbacks stay consistent with the look of each section. "The Steadicam operator was crucial because it would be physically straining as we go up and down these corridors and on three floors of the San Francisco Opera. And there were lots of limitations but Danny likes limitations, " Küchler said. It was all about keeping up with Jobs as he frantically prepares for each presentation and interacts with those closest to him in a crucible of Shakespearean proportions. Kate Winslet plays marketing head and confidant Joanna Hoffman, Seth Rogen portrays Apple co-founder/chief engineer/erstwhile buddy Steve Wozniak, Jeff Daniels takes on Apple CEO/father figure John Sculley and Michael Stuhlbarg transforms into original Mac team member/brotherly Andy Hertzfeld.
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His supporting cast is also strong, particularly Kate Winslet, who plays Jobs' confidant Joanna Hoffman. We enjoyed Jeff Daniels' performance as former Apple CEO John Sculley, though the relationship portrayed between the two executives after Sculley fired Jobs in 1985 did seem implausibly intimate and friendly. Steve Jobs is a movie designed to entertain, rather than a historical account of Jobs' life and career that you might find on the History Channel. While it succeeds as entertainment, it does stretch or even invent real-life events in an attempt to depict his most personal issues. His real-life relationship with his daughter Lisa, for example, was never cleanly resolved like it appears to happen in the movie. In addition, while Fassbender did capture how Jobs' mind moved at a million miles an hour, he still seemed too kind in the movie. Jobs could be a complicated mix of vindictive, petty, emotional, kind, manipulative and endearing. Fassbender's Jobs seems pretty emotionless and less complicated than the real man.